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Documenting the Anthropocene



Source: Nepali Times


This year’s Film Southasia has 47 documentaries that showcase human activities and their interconnectedness with nature


South Asians are coming together to celebrate the stories of this region at the biennial film festival, Film Southasia (FSA), which starts on 21 November. It coincides with the COP29 climate summit in Baku, Azerbaijan. 

This year’s four-day event showcases documentaries from Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka, and even one from Mongolia, although that country is in Central Asia. 

This year’s theme is Documentary in Anthropocene, with a lineup of films that explore human interaction with nature, especially in the context of climate breakdown.

“The climate crisis has been the major challenge in the Anthropocene era and climate crisis respects no border. With one fourth of the world population in South Asia, we as neighbours should closely look into these issues together,” states FSA director Mitu Varma. 

While some documentaries specifically explore the impact of the climate crisis on the region’s land and people, other films highlight the interconnectedness between people and time, nature, or other people divided by borders.

“Humankind practices and leads life with the concept of othering and acting as if their lives are free from the connection with nature. This year’s lineup will help retrospect the interconnectedness,” adds Varma. “But it is not all doom and gloom, the movies are also hopeful about human-nature symbiosis.” 

With over 2,000 submissions, FSA selected only 47. The carefully curated lineup will be screened at Yala Maya Kendra over next week. The FSA festival has, for over two decades, been a platform that brings South Asian filmmakers and audiences together. 

Producers and directors of 27 of the documentaries will be attending the festival and may explore cross-country collaboration on future film projects.

Along with the film screenings, a Director Workshop with filmmaker Kabir Khan, and panel discussions about FSA’s slogan and the evolution and success of Nepali documentaries will also be taking place. The panel discussions and film screenings will happen simultaneously, so the attendees will have to plan their schedules accordingly.

Two other master classes, and a discussion on financing and editing with industry experts will also take place in collaboration with the British Council’s WOW (Women of the World) festival and audio-visual production company KathaHaru. 

FSA also organises Travelling Film Southasia tours, in which up to 15 of the selected films are screened around the globe, mostly at universities.

Says Pawas Manandhar of FSA: “We want to cultivate a sense of appreciation among the younger people for documentaries in the age of 30-second TikToks.” 


In the spotlight

Hello Guyzz!

One of the student films at FSA, this 24-minute long documentary features Sumita, a social media influencer in a small town in Bengal. Sumita has an alternate identity on TikTok, and straddles identities between a mundane life as a housewife and the desired life of being a successful influencer. She also harbors hopes of maybe fulfilling her long-lost dream of becoming an actor.


Whispers by the River Shore 

River encroachment results in a Bangladeshi family’s fortunes being swept away. This 19-minute long documentary, directed by Samiur Rahman, sheds light on the humans living in encroached land near the river. It is a story all the more relevant to Kathmandu. 


When the Floods Come 

Directed by Pakistani-American Nyal Mueenuddin, this documentary won a BAFTA Award for the portrayal of the intimate stories of people affected by the 2022 flood on the Indus River. Mueenuddin has prioritised human emotion, empathy and compassion. The subject is relatable for a Nepali audience, as climate change makes the region even more vulnerable to extreme weather. 


Nocturnes 

In a remote ecological hot spot on the India-Bhutan border, director duo Anupama Srinivasan and Anirban Dutta explore the secret world of moths. This 82-minute film takes viewers to rarely-seen places where moths gather, and urges us all to retrospect about interconnections in the natural world.


Devi

This feature-length documentary by Nepali journalist and director Subina Shrestha garnered attention internationally in Hot Docs, Doc Edge and DMZ Docs. It follows the life of Devi Khadka, a rebel warrior, mother and survivor of sexual violence during the civil war. This is the first time this 80-minute film will be shown in Nepal. 


No Monastery No Village 

High up in the secluded village of Halji in Humla, a Glacier Lake Outburst Flood threatens a century-old monastery and the village with a population of 500. This 28-minute documentary, directed by Nepali climate activist Tashi Lhazom, highlights the faith and resilience of the villagers' fight to preserve their way of life. 


Agent of Happiness

Directed by Arun Bhattarai from Bhutan and Dorottya Zurbó from Hungary, this feature-length documentary follows a surveyor who measures happiness as per the GNH (Gross National Happiness) index in Bhutan, as he goes on a quest searching for his own happiness. This year’s opening film for FSA, this 90-minute documentary will be screened on Saturday. 


Hollywoodgate

Director Ibrahim Nash'at documents the transformation as the US militia abandons operations in Afghanistan, and the Taliban occupy their bases and transform into a military regime. This movie was nominated for and has won internation film awards.  


The World is Family

Born to a family of freedom fighters, director Anand Pathwardan explores his family’s connection to India’s Independence Movement. This 96-minute long documentary is a personal exploration and a window to India's past and the present. Pathwardan is a FSA alumnus. 


All That Breathes

This Oscar-nominated documentary tells the story of two brothers, Nadeem and Mohammad, who have dedicated their lives to protect the black kite in New Delhi. Director Shaunak Sen looks at inter-species coexistence in an urban setting in this 94-minute movie, which will be Film Southasia’s closing documentary. 




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